This video examines the Broncolor Scoro and the Profoto Pro 8 Air in a shootout for accuracy of flash duration, shooting at F-16. With 1 pack and 2 heads, Julian and Amber test both broncolor and Profoto for sharpness of the image in a photo shoot utilizing a freezing motion technique with water. The broncolor Scoro clearly outscores the Profoto pack with how sharp the water is (with no streaking) and the accuracy of the color temperature.
OBERKOCHEN, September 7, 2012 - Carl Zeiss is presenting the new Apo Sonnar T* 2/135 during photokina in Cologne – Carl Zeiss’ longest medium telephoto lens in the range of high-quality SLR lenses. With the Apo Sonnar T* 2/135, the company is substantially extending the creative possibilities available in the medium tele range. Photographers and HD video cinematographers now have a total of thirteen SLR lenses to choose, with focal lengths of 15 to 135 millimeters. Carl Zeiss will exhibit at photokina in Cologne, the world’s leading trade fair for imaging technology, from September 18-23 at stand B011 in hall 2.1.
The Apo Sonnar T* 2/135 is the ideal lens for capturing detailed images from long distances, such as the skyline at sunset, a leopard in the zoo, or a pop star on a faraway stage. The new lens offers outstanding clarity of detail, high contrast and high resolution at any aperture. This mix of attributes makes it the perfect choice for portraits in advertising, fashion and lifestyle, as well as for landscape and reportage photography.
After putting the lens through its paces in New York, Magnum photographer Christopher Anderson was clearly impressed: “I am delighted with the performance of this new lens. It is relatively compact for a telephoto lens. Its image resolution and quality are outstanding, and there is a touch of magic in the way the light is refracted by the lens elements. I took some amazing photos, including some in poor light conditions.”
The Apo Sonnar T* 2/135 can capture subjects up to a scale of 1:4. It has been built based on Carl Zeiss’s proven “floating elements” design. A special variable arrangement of the lens elements delivers excellent images over the entire focusing range, from 0.8 meters to infinity. The compact telephoto lens features eleven elements in eight groups. Because this lens is an apochromat, chromatic abberations (axial chromatic abberations) are corrected with elements of special glass materials with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image, and especially highlights, are reproduced almost completely free of color artifacts.
As with all other SLR lenses in the ZE and ZF.2 series, the Carl Zeiss T* anti-reflective coating as well as the sophisticated treatment of the elements’ edges with a deep-black special lacquer make the Apo Sonnar T* 2/135 resistant to reflections and stray light. Another advantage for the user is the large rotation angle of 268°, which enables ultra-precise focusing.
The Apo Sonnar T* 2/135 is equipped with an all-metal barrel, which enables long-lasting use with high-quality results. It will be available with F bayonet (ZF.2) and with EF bayonet (ZE).
The lens will begin shipping in December 2012 at a recommended retail price of approximately €1.600 or US$2.000 (excluding VAT)*.
| Focal length | 135mm |
| Aperture range | f/2 -22 |
| Number of lens elements/groups | 11/8 |
| Focusing range | 0.80m (2.62ft) – infinity |
| Angular field** (diag./horiz./vert.) | 18.7°/ 15.6°/ 10.5° |
| Coverage at close range** | 145 x 96 mm (close-up) |
| Image ratio at close range | 1 : 4 (close-up) |
| Filter thread | M 77 x 0,75 |
| Length with caps | 128mm (ZF.2) 130mm (ZE) |
| Diameter | 84mm |
| Weight | 920g (ZF.2) 930g (ZE) |
| Mounts | ZF.2 (F bayonet) ZE (EF bayonet) |
Zooms
LAKE SUCCESS, N.Y., August 29, 2012 – As the production of motion pictures, episodic television shows, commercials, documentaries, and other program content increasingly transitions to digital, Canon U.S.A., Inc., a leader in digital imaging solutions, continues to provide innovative Cinema EOS products designed to enable the most discerning filmmakers and producers to capture their unique creative visions. The latest of these Canon products, two new compact and lightweight cinema zoom lenses available in both EF- and PL-mount versions, were first announced at NAB 2012 and have now been officially added to the Canon Cinema EOS product line. Designated as the CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens, both are engineered to deliver exceptional optical performance for the latest large-format single-sensor 4K and 2K digital cinematography cameras. Both lenses feature a compact, lightweight design to facilitate handheld and SteadicamTM shooting while also covering a wide range of focal lengths.
“These two new compact lightweight cinema zoom lenses provide exceptional optical and operational performance for creative film and television professionals. The Canon Cinema EOS line of high-resolution cameras and lenses is engineered to affordably serve the highest-performance needs of the production community and enable it to truly ‘Leave No Story Untold,’” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.
A leading maker of precision lenses for professional digital photography, broadcast HDTV sports and news coverage, and many other markets, Canon has leveraged its years of expertise as a world leader in optics and imaging to develop the compact and lightweight CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens. Each lens will be available in both EF- and PL-mount configurations. (The EF-mount version is designated by the letter “S” at the end of the model name; the PL-mount version by the letters “SP”.)
Main Features: CN-E15.5–47mm T2.8 L S/SP and CN-E30–105mm T2.8 L S/SP
1. High optical performance for use with 4K-resolution cameras
Supports 4K (4096 x 2160 pixels) production standards, with a level of resolution exceeding four times the resolution of Full HD.
Offers compatibility with industry-standard Super 35 mm-equivalent image format as well as APS-C-size sensors.i
The optimal placement of low-refraction, low-dispersion UD (ultra-low dispersion) glass corrects for axial and lateral chromatic aberrations to realize exceptional imaging performance without color blurring.
With a T-number of 2.8, the new lens lineup offers bright performance and, with no changes in brightness during zooming, enables the use of attractive blur effects when employing a shallow depth of field.
Each lens is equipped with an 11-blade aperture diaphragm for soft, attractive blur characteristics.
The lenses minimize focus-induced changes in the angle of view and, through the latest advances in anti-reflective coating and related technologies, reduce the occurrence of ghosting and flare.
2. Broad focal-length coverage despite compact, lightweight design
Designed with hand-held shooting in mind, each lens weighs just approximately 2.2 kg, less than half the weight of the top-end zoom lens models that went on sale earlier this year.
Combining the wide-angle and telephoto zoom lenses as a set enables users to cover a wide focal length range, from 15.5 mm (wide-angle end) to 105 mm (telephoto end).
Because the lenses provide a long focal length at the telephoto end, they enable the magnification of scenes shot from a distance and the use of attractive blur effects when employing a shallow depth of field.
3. Designed to deliver high operability
With a focus rotation angle of approximately 300 degrees, the lenses facilitate precise focusing performance.
Zoom, focus and iris markings all appear on angled surfaces for improved readability from behind the camera.
Features a unified front lens diameter and uniform gear positions, doing away with the need to adjust or reposition accessory gear when switching between the two lenses.
By removing the cover ring, users can easily perform flange-back adjustment.
4. Functionality to realize increased shooting convenience
The new lenses can be used with matte boxes and other standard manual and electronic movie industry accessories widely used in the motion picture production.
Each lens offers a reduced minimum object distance (0.5 m for the CN-E15.5-47mm T2.8 L S/SP and 0.6 m for the CN-E30-105mm T2.8 L S/SP) that makes possible tighter close-ups and facilitates shooting in limited-space environments.
The EF-mount version lenses, when combined with Cinema EOS System cameras, support lens-camera communication enabling the recording of zoom and other settings along with video data, making possible the effective management of shooting conditions. Additionally, a future camera firmware update (release date to be decided) will enable automatic image correction along with other benefits.
The Canon Cinema EOS System of professional digital cinematography products includes the EOS C300 and EOS C500 digital cinema cameras (available in EF- or PL-mount versions), the EOS C100 digital video camera, the EOS-1D C DSLR camera, the CN-E14.5-60mm T2.6L S/SP wide-angle zoom and CN-E30-300mm T2.95-3.7L S/SP telephoto zoom lenses (EF and PL versions available), and the CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F prime lenses for EF-mount cameras. Cinema EOS cameras are also compatible with the more than 60 lenses in Canon’s EF lens line (which includes macro, fisheye, telephoto, and tilt-shift models) for maximum creative versatility. Canon continues to enhance its Cinema EOS System product line to support diverse image creation in motion picture, television, and other high-resolution digital production industries.
Pricing and Availability
The Canon CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens is expected to be available in November 2012 and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens is expected to be available in January 2013, both for an estimated list price of $24,500 each.
Primes
LAKE SUCCESS, N.Y., August 29, 2012 – Further contributing to the evolution of the motion picture industry, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the development of two new cinema prime lenses, the 14mm T3.1 cinema prime lens and 135mm T2.2 cinema prime lens, adding to the Cinema EOS lineup consisted of 11 EF Cinema Lenses.
Both the 14mm T3.1 and 135mm T2.2 cinema prime lenses will be engineered for exceptional optical performance for Canon’s latest large-format single-sensor 4K and 2K digital cinematography cameras. As part of the Cinema EOS System, the lenses will be compatible with standard sensor sizes including Super 35mm, the standard format in the motion picture industry, as well as HD-compatible EOS Digital SLR cameras using 35mm full frame, APS-H and APS-C image sensors.
“In November of 2011, Canon pledged to offer high-end professional solutions to filmmakers, cinematographers, and television production professionals. Our pledge included a commitment to this industry and a promise of future product development and solutions to meet industry needs. Today’s announcements prove that we intend to deliver on that pledge,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.
The 14mm T3.1 and 135mm T2.2 EF cinema prime lenses are expected to be available in the first half of 2013, and will be showcased from September 6 – 11, 2012 at IBC2012 in Amsterdam.
Editor